Umbral (Threshold) 2026. Bronze and Metal. Public permanent piece in Bogota Colombia Umbral (Threshold) 2026. Bronze and Metal. Public permanent piece in Bogota Colombia Umbral (Threshold) 2026. Bronze and Metal. Public permanent piece in Bogota Colombia | MINIMAL
The Splinter in the Eye (2025) La Cometa Gallery Miami The Splinter in the Eye (2025) La Cometa Gallery Miami The Spliter in the Eye (2024) General view of the installation at the Athenaeum Art Center La Jolla The Spliter in the Eye (2024) General view of the installation at the Athenaeum Art Center La Jolla. Photo by Annie Denten Botox Against the Machine (2024) Oil on wood. Photo by Annie Denten Sunburnt Tits (2024) Oil on wood Senior Porn (2024) Oil on wood. Photo by Annie Denten Children Smell (2024) Oil on wood. Photo by Annie Denten Slightly Retarded (2024) Oil on wood. Photo by Annie Denten The Spliter in the Eye (2024) General view of the installation at the Athenaeum Art Center La Jolla. Photo by Annie Denten Mine is Small (2024) Oil on wood. Photo by Annie Denten I think I am a mother (2024)
The past is never dead. It’s not even past. (2024) Exhibition view at Museo de Arte Moderno MamBO Bogotá El guevo de Colón. Columbus Egg/bollock (1897 – 2024) Bronze and rubber ball. From a Césare Sighinolfi sculpture El guevo de Colón. Columbus Egg/bollock (1897 – 2024) Bronze and rubber ball. From a Césare Sighinolfi sculpture Innocent Pregnancy (1897-2024) Isabella of Castile bronze statue and native plants from Colombia. Innocent Pregnancy (1897-2024) Isabella of Castile bronze statue and native plants from Colombia. Encounter (2022 – 2024) Authentic XIX century reduced human head and contemporary anatomical model. Padre (2022) Christopher Columbus bronze sculpture and beads featuring symbols from the Inga culture from Colombia. The image resembles a statue that was removed from a plaza in Bogota in 2021. Photography Gregorio Diaz Mythstories, exhibition view at Museo de Arte Moderno MamBO Bogotá (2024) Mythstories, exhibition view at Museo de Arte Moderno MamBO Bogotá (2024) The past is never dead. It’s not even past. General view at Museo de Arte Moderno Bogota MamBOPhotography Gregorio Diaz Penetration (2019). Laser-cut panels embedded on the wall The past is never dead. It’s not even past. General view at Museo de Arte Moderno Bogota MamBOPhotography Gregorio Diaz
Remorses. Partial view at Bread and Salt San Diego Remorses. Partial view at Bread and Salt San Diego Remorses. Partial view at Bread and Salt San Diego Remorses. Partial view at Bread and Salt San Diego Remorses. Partial view at Bread and Salt San Diego Remorses. Partial view at Bread and Salt San Diego Remorses. Partial view at Bread and Salt San Diego Remorses. Partial view at Bread and Salt San Diego Remorses. Partial view at Bread and Salt San Diego Remorse Remorse Remorse Remorse Remorse Remorse Remorse Remorse Remorse Remorse Remorse Remorse
Album Cover. Love is Black (2021) Album back Cover. Love is Black (2021) Musical videos: Mi Muerte Collaboration with Andrés Borda and Hellvira Lavey The Sun Mambo Voodoo Amor Negro in concert (2019) Amor Negro in concert (2019) Amor Negro with the legendary Noel Petro (2014) Amor Negro Amor Negro Amor Negro’s first album on vinyl
